Encouraging. Inspiring. Liberating. Thought-provoking. My heart is full…You had to be there.
If The Presser Foundation allowed it, this review of the Elevate Vocal Arts’ (EVA) Bent, But Not Broken (BBNB) Conference would be as short as the preceding statement. Alas, this transformative conference deserves a more robust description.
EVA proudly hosted its third annual BBNB Conference at the Grace United Methodist Church in Wilmington, DE, an event that transcends the traditional notion of a conference. Under the artistic and executive direction of Arreon Harley-Emerson, Dr. Jillian Harrison-Jones and Rachel Clark, BBNB is an inspiring educational movement dedicated to amplifying the musical contributions and achievements of Black vocal artists, music educators, and conductors across a rich tapestry of eras and genres. The conference features captivating performances by nationally and internationally renowned vocal ensembles, each resonating with the power of Black artistry. The performances are expertly complemented by informative workshops and engaging sessions led by esteemed scholars in music, history, and music education. Through this dynamic conference, the EVA aims to create an artistic summit that not only celebrates but also elevates the profound works of Black voices, fostering a deeper appreciation for their vital role in the musical landscape.
I had the distinct pleasure of attending two days of events as both an observer and participant. On my first day, I was one of four participants in a conducting masterclass led by the esteemed educator and conductor Dr. A. Jan Taylor. As a choral music educator myself, I am well aware of Dr. Taylor’s remarkable achievements and musical expertise, which only heightened my sense of nervousness at the prospect of conducting in her presence. To make matters more thrilling, participants had the great honor of conducting members of EVA’s professional vocal ensemble Elevation. The anticipation of demonstrating my skills under her watchful eye, and amid a delegation of conference attendees, was both exhilarating and daunting. Dr. Taylor proved to be a thoughtful, considerate and engaging clinician. She provided guidance that intellectually challenged her participants, while offering authentic affirmations. To witness someone with such command of a room interact with others with grace and humility was inspiring. I was captivated as she masterfully assisted three other conductors simplify their gesture while magnifying their emotional and musical expressiveness. It was like watching a patient mother, skillfully guiding her child through self-discovery.
On the second day, I had the pleasure of participating with Temple University’s Concert Choir, directed by the talented Dr. Harrison-Jones. Following our early morning soundcheck, I had several hours to immerse myself in interest sessions, enjoy performances, and connect with fellow music educators. One particularly insightful session was led by Kimberly Waigwa, the Artistic Director of the One Voice Choir in Minneapolis and a graduate of Temple’s Choral Conducting Master’s program. Waigwa explored the history and sociocultural challenges of guiding LGBTQ+ Community Choruses, offering enlightening information that would benefit any community ensemble.
Another highlight of the day was the spiritually uplifting performance by Penn State University’s Essence of Joy Choir. Under the direction of Dr. Anthony Leach, Essence of Joy showcased the rich diversity of choral music composed by African American artists, delivering an authentic Gospel experience that left the audience energized. As Dr. Leach remarked after one selection, “It feels like we’re having church in here!”
Dr. Harrison-Jones led Temple’s Concert Choir in a culturally resonant and powerful concert, expertly guiding the singers through a repertoire that spanned the Black Diaspora, featuring works by Michael Jackson, Ray Charles, Thomas Dorsey, and Kurt Carr. Each piece was performed with a depth of emotion and skill that truly celebrated the richness of these musical traditions.
EVA’s Bent, But Not Broken Conference was a remarkable celebration of Black vocal artistry, fostering an environment of encouragement, inspiration, and liberation. The blend of thought-provoking discussions, masterful performances, and community engagement created a powerful atmosphere that left an indelible mark on all who attended. This event not only elevated the voices of those within the Black musical community but also sparked a deeper appreciation in every participant for the rich cultural tapestry that shapes our choral landscape. As Mr. Harley-Emerson has shared on social media, it is more than a conference; it is a movement. But there are a few words that can truly capture the feeling of being in that space, so I will end this the same way that I began.
Encouraging. Inspiring. Liberating. Thought-provoking. My heart is full…You had to be there.
