Being a composer can feel a bit like living in an artist’s cave. We spend countless hours absorbed in our own creative worlds, meticulously crafting something that eventually blossoms into art. However, my fellowship at The Presser Foundation pushed me to crack the walls of my creative isolation, forcing me to step outside and truly engage with the vibrant music scene in Philadelphia. Let me tell you, it was an incredible and transformative experience.
The fellowship pushed me to actively seek out performances and events I never would have considered on my own. This journey opened my eyes to the vibrant network of music organizations in Philadelphia, from the established institutions to the passionate grassroots initiatives. All of these organizations, big and small, are doing phenomenal work promoting music and culture, and there are many educational organizations that particularly support students from lower-income families. Meeting the directors of these groups wasn’t just about exchanging pleasantries; it was an opportunity to delve into their inspirations and the challenges they face in keeping the music alive. Their dedication was truly inspiring.
But the benefits of the fellowship extended far beyond exposure to new music and organizations. It served as a powerful reminder for me, as a composer, of the crucial importance of stepping outside my comfort zone. Often, we get so engrossed in our own creative pursuits that we neglect the power of collaboration and connection. Meeting and interacting with people from diverse musical backgrounds and with a range of musical passions has been incredibly enriching.
But the best part? Each time I went to The Presser Foundation’s office, everyone valued my opinion. As a musician, I was invited to meetings where we discussed the current state of the Philadelphia music scene and brainstormed ways to make it better. It was refreshing to be surrounded by people who cared so deeply about music and to feel like my voice mattered.
During my fellowship, I had the incredible opportunity to immerse myself in Philadelphia’s music scene. I attended and observed the work of a diverse range of 27 organizations. Six focused on music education, nurturing the next generation of musicians. Ten were music presenting organizations, bringing a wealth of performances to the city. The remaining eleven were music performing organizations, showcasing the city’s vibrant musical talent. This exposure wasn’t limited to just performances. I was also fortunate to be invited to the Foundation’s board meetings, where I met the dedicated leaders behind this organization and gained valuable insights into their work and goals.
What truly sets The Presser Foundation apart is its commitment to equity. It provides opportunities to all music organizations, regardless of size or budget. This creates a level playing field where everyone has a chance to contribute to the city’s rich musical tapestry.
The Presser Foundation’s Graduate Fellowship wasn’t just about music; it was about community. It was a chance to learn, grow, and connect with the incredible people who make Philadelphia’s music scene so special. And for that, I’m incredibly grateful.
