Karim Sulayman, tenor; Sean Shibe, guitar
On this clear and comfortable Sunday afternoon, I enjoyed the serenity of my back porch while watching tenor Karim Sulayman and guitarist Sean Shibe perform at the historic Benjamin Franklin Hall, hosted by the Philadelphia Chamber Music Society. This concert series showcases high-quality small ensembles, with livestream support from The Presser Foundation, major patrons, and audience donations.
What struck me most was the intimacy established between the two artists. Despite the grandeur of Franklin Hall’s white columns and tall ceilings, the performance felt like a gathering in a Victorian home, with two dear friends serenading an entranced audience. Sulayman and Shibe, sitting center stage—without microphones, elaborate lighting, or sound systems—created a personal connection, with Sulayman’s rapt attention on every passionate strum of Shibe’s guitar and Shibe emotionally collaborating with each melodic line Sulayman skillfully displayed.
I must commend Sulayman for his emotional engagement throughout the performance. Even while seated, he maintained a physical connection with Shibe and the audience. Each time Shibe played solo, Sulayman’s expressions mirrored the emotional outcry, helping the audience connect with the music’s intent.
The performance showcased a rich array of musical genres, from the Baroque elegance of Purcell’s Music for a While to the poignant plea of Fairuz’s Li Beirut. Shibe and Sulayman skillfully navigated the intricate musical and emotional landscapes of their program. Layale Chaker’s A Butterfly in New York, tells the story of a person from Baghdad who, after spending their childhood chasing a butterfly in their garden, finds that same butterfly resting on their shoulder 30 years later in New York. This encounter prompts reflections on hope and loss. Sulayman and Shibe bravely captured the composition’s depth, conveying a vivid palette of emotions that resonated throughout the performance. Shibe’s rendition of Takemitsu’s Wainscot Pond from Into the Woods was utterly mesmerizing. The blend of neo-Romantic melodies and quasi-jazz harmonies created an unforgettable auditory experience, leaving an enchanting earworm that will linger in my memory for a long time.
The Philadelphia Chamber Music Society deserves commendation for delivering such a beautiful musical experience through their livestream. While it doesn’t replicate the acoustical brilliance and communal vibe of a live performance, the livestream provided a unique opportunity to tailor my setting and respond emotionally in the comfort of my own space. That freedom is truly liberating!
As the audience erupted into a well-deserved standing ovation for these exceptional performers, I found myself hoping for an encore. Not only did we receive one, but we were also treated to a poignant message from Sulayman: We should seize these opportunities to gather and connect with one another in song more often. I wholeheartedly resonate with your sentiment, Karim.
