This is one in a series of blog posts featuring each member of The Presser Foundation’s Board and Committee. These individuals come from a variety of backgrounds and experiences but have one trait in common—they love music. Keep an eye out for the series to learn more about each member, their background, and why they…
By Abby Rolland 2024 marks the start of a strategic planning process for The Presser Foundation. This initiative is meant to engage the Board, staff, and grantees in ensuring that the Foundation is achieving the long-held mission to provide philanthropic support for music and music education and to fund the musical arts in their many…
By Sepehr Pirasteh, Graduate Music Fellow As a Ph.D. student in composition at Temple University, my passion for music goes beyond the classroom. I crave diverse sounds and connections, and my experience as a Graduate Fellow at The Presser Foundation has been nothing short of transformative. In this post, I want to share my journey…
In her capacity as Executive Director of The Presser Foundation, Teresa Rodgers serves as the chair of Philanthropy Network Greater Philadelphia’s Arts & Culture Funders Community of Practice. This Community of Practice is where a variety of arts focused grantmakers meet to discuss support for the arts, relevant trends, and other topics related to the…
This blog post was originally posted on Exponent Philanthropy’s blog. By Abby Rolland The Presser Foundation is the only foundation dedicated solely to funding music organizations in the Greater Philadelphia region. Its holistic approach to grantmaking also makes it unique among funders. The foundation gives to music organizations through special projects, general operating support, and…
By Abby Rolland, Grants & Communications Manager It comes as no surprise that arts and cultural institutions have been devastated by the COVID-19 pandemic. Many of these organizations rely heavily on ticket purchases and other earned income revenue streams to fund their programs and operations. With the total loss of all in-person audiences at the…