By Baker Purdon Classical music has long been regarded as a cherished cultural tradition, inspiring and captivating audiences for centuries. However, it is no secret that music, particularly classical music, has struggled with diversity, equity, inclusion, access, and belonging (DEIAB) issues throughout its history. In this blog post, I explore the issues of representation in…
A photo of the Delaware County Youth Orchestra at their recent spring performance. By Baker Purdon In the final installment of this Tour of Regional Orchestras series (See Part I and Part II), I wanted to step away from the orchestra as a whole and tell the story of what it takes to join one…
By Baker Purdon Chamber music is a classical music genre performed by a smaller group of musicians than you would see in an orchestra. Historically (and contemporaneously), these concerts can often be performed in what we used to call chambers, or small rooms, in a home. More often than not, however, chamber music is now…
From top, clockwise: Princeton Symphony Orchestra, Delaware Symphony Orchestra, Lancaster Symphony Orchestra By Baker Purdon A symphony orchestra is a shapeshifting ensemble capable of transporting listeners through time, space, and emotion. Comprising a large group of musicians playing a variety of instruments (including strings, woodwinds, brass, percussion, and more), symphony orchestras are known for their…
Photo Credit: Torello Productions By Baker Purdon “Every child is an artist; the problem is staying an artist when you grow up.” When famous painter Pablo Picasso said this, he critiqued the progressive stripping of creativity and freedom from a person’s life as they grow up. In an effort to solve this problem, a multi-year…
By Baker Purdon It feels appropriate to disclose my bias and profound love for Margaret Bonds’ Credo early in this review. It has become one of my most loved pieces of music from the 20th Century, partly because of its powerful sentiment and the sheer beauty and partly because of my personal connections to it.…
Fellow Baker Purdon. Photo by Jacob Smith Photography, Courtesy of Temple University Last year, The Presser Foundation launched a graduate music student fellowship. The Fellow attends and writes about grantee performances/programs for the Foundation’s communication platforms. This work increases the Foundation’s transparency, amplifies grantee partners, and gives the Fellow the opportunity to learn about music…
By Baker Purdon The Chamber Orchestra of Philadelphia recently presented Vivaldi’s The Four Seasons paired with Max Richter’s revisionist imagining of the same work, The Four Seasons, Recomposed. I’d like to tell you a little bit about each work, the performance, and share my thoughts about how recomposing, as Richter has done with this piece,…
By Baker Purdon, Music Fellow History Since the inception of the United States, the American orchestra has been predominantly local in scope. Before the Civil War, most American orchestras operated within the boundaries of a single city and its immediate vicinity. They were generally either standing orchestras in local theaters, ad hoc orchestras for special…
Pianist Laura Ward, soprano Magdalena Kuzma (center) and mezzo Sun-Ly Pierce at the Academy of Vocal Arts. Photo courtesy of The Chestnut Hill Local. By Baker Purdon, Music Fellow When I accepted The Presser Foundation’s Graduate Music Fellowship, I knew I would have the opportunity to see some of the best performances Philadelphia has at…